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Surya de Wit – Fine Artist

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2010

Paintings

2013-03-09 12.22.39
2013-03-09 12.31.32
2013-03-09 12.32.57
collardetail
falmingo
fringe
hairystuff
kante jurk face sml
l_faf574ae02ee407c83bb79f89cf9e8d7
lampshadedetail-
my super hero for october
octopus fun
peace in gold
pied du poule small
red coat sml
redboy
rinkespiece
shadow
step wet
when i grow up

Drawings

pulling me down
flowrprint01
frawingssummer05
piercings sml
purple rabbit drawing
sketch book 03
sketch book 04
sketch book 05
sketch pad 08
sketch pad 13
sketch pad 14
sketchpad 09
sketchpad last page
summer drawing 02
sweet dreams
vera licht
wolf boy
wolf girl 01

Exhibitions

Eindexamen 2010

2010-07-08 00.31.51 copy
2013-03-09 12.22.39
2013-03-09 12.31.32
collar
red coat sml
rinkes piece sml

Graduation Show

06June -12June 2010

http://www.vrijekunstarnhem.artez.nl/pages/eind0910/arcein0910.html

 Destilaat
IMG_4762
20101119Destillaat
IMG_4746
IMG_4760
MG_8584
MG_8589

Exhibition  ‘Destillaat’ at artist Initiative ‘Extrapool’ in Nijmegen
Group exhibition, which started with a project week.

19 – 21 November 2010

http://www.extrapool.nl/destillaat.html

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Instagram

Happy birthday lovely sister @loriekedewit I wasn’t sure what to get you so I painted your dog 😊 Hope you have a lovely day xxxxx
Qingniao - Blue Bird Oil painting and embroidery on canvas 61cm x 61cm £610 Who appears in Chinese mythology, popular stories, poetry, and religion. Qingniao is especially regarded as the messengers or as otherwise serving the Queen Mother of the West Xi Wangmu. In some sources, three-legged Qingniao carry her messages; in other sources, a single one-legged Qingniao fetched her food. In some versions, three, sometimes three-legged, green birds brought her food: these seem to have some similarity with the Three-footed birds believed to reside in the sun. The Qingniao are an important motif and frequently depicted in myths regarding Xi Wangmu and her Western Paradise, which is generally located on the mythical Kunlun Mountain. . . . . . . #femaleartist #oilpainting #portrait #contemporarypainter #painting #art #emergingartist #figurative #fineart #oilpaint #portraiture #contemporarypainting #todaysartreport #newpainting #Bluebird #myths #Qingniao #instaart #artforsale #embroidery #walthamstowresident #artstudio #textileartist #artforsale #newpainting #mixedmedia #fiberartist #iridescent
Qingniao - Blue Bird Who appears in Chinese mythology, popular stories, poetry, and religion. Qingniao is especially regarded as the messengers or as otherwise serving the Queen Mother of the West Xi Wangmu. In some sources, three-legged Qingniao carry her messages; in other sources, a single one-legged Qingniao fetched her food. In some versions, three, sometimes three-legged, green birds brought her food: these seem to have some similarity with the Three-footed birds believed to reside in the sun. The Qingniao are an important motif and frequently depicted in myths regarding Xi Wangmu and her Western Paradise, which is generally located on the mythical Kunlun Mountain. 61x61cm oil paint and embroidery on canvas £610
Sunday collage fun with @_krean_
When they were three, the Moirai were: Clotho (/ˈkloʊθoʊ/, Greek Κλωθώ [klɔːtʰɔ̌ː]"spinner") spun the thread of life from her distaffonto her spindle. Her Roman equivalent was Nona("the ninth"), who was originally a goddess called upon in the ninth month of pregnancy. Lachesis (/ˈlækɪsɪs/, Greek Λάχεσις [lákʰesis]"allotter" or drawer of lots) measured the thread of life allotted to each person with her measuring rod. Her Roman equivalent was Decima ("the Tenth"). Atropos (/ˈætrəpɒs/, Greek Ἄτροπος [átropos]"inexorable" or "inevitable", literally "unturning", sometimes called Aisa) was the cutter of the thread of life. She chose the manner of each person's death; and when their time was come, she cut their life-thread with "her abhorred shears". Her Roman equivalent was Morta ("the dead one").
Moirai- sisters of fate Clotho, Lachesis and Atropos They controlled the mother thread of life of every mortal from birth to death. They were independent, at the helm of necessity, directed fate, and watched that the fate assigned to every being by eternal laws might take its course without obstruction. Both gods and men had to submit to them.

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Bio

Surya de Wit is best known for her portraiture in which she incorporates a variety of unconventional materials with an aim to create a sense of tangibility to the audience. Her portraits are inspired by her experiences and how she identifies with people that she encounters.
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